"The common denominator shared by all of these essays is the human dimension, constituting in some ways a people-oriented history of the book and the book trade. The collection emphasizes the experimental nature of book production, the communities of artisans of the book, and the practicalities of life in them, the movement of scribes and artists, and the expectations of patrons. All of the articles place manuscript production in historical, social, and cultural contexts." —Keith Busby, University of Wisconsin, Madison
"Bound Fast with Letters is an outstanding contribution to our understanding of the worlds in which medieval books moved. Impressive in its chronological and geographical scope and richly textured, the book offers detailed readings of manuscripts and archives, words and images. These collected articles increase our understanding of the humans who authored, copied, illustrated, read, and reread books in medieval Europe." —Anne D. Hedeman, Judith Harris Murphy Distinguished Professor of Art History, University of Kansas
"Few have done more in the past half-century to nurture the study of medieval manuscripts in North America than Richard and Mary Rouse. . . . One of the elements that make Bound Fast with Letters so striking is its capacity to set manuscript production in human contexts. . . . This is a book that makes the dry bones of medieval codicology live." —Times Literary Supplement
"This is a comprehensive look at the Rouses' professional career and covers many areas of their research in the field. Though not a typical survey of early manuscript production, it will be a valuable reference tool for scholars interested in the history and politics of the early bound manuscript trade. . . . Highly recommended." —Choice
“This book collects eighteen articles written over four decades that study writing, broadly conceived, as a medium of social preservation and cultural production. . . . No review can do justice to this beautifully produced and carefully edited gathering of well over 500 pages—neither to the riches it reveals or the methods it champions.” —Information and Culture: A Journal of History
“Far from merely reprinting old material, the Rouses have created a cohesive volume in which the essays speak to each other on both thematic and methodological levels. The studies in this volume paint a vivid and comprehensive picture of medieval manuscript production, circulation of texts, and cultural movements by looking at specific actors and the objects they left behind.” —Comitatus: A Journal of Medieval and Renaissance Studies
“. . . the collection opens up scintillating scenes of medieval life as a whole. This is a very useful collection, a major contribution by which future explorers in the wilderness of medieval book culture might wish to be guided in their task.” —Parergon
“These astonishing episodes, recovered from erasures tucked between books of the Bible, are emblematic of the Rouses’ method. Combining codicology, deep archival research, bibliographical mastery, and, most important, deep sympathy for their historical subjects, their own collaboration uncovers the most varied examples of teamwork in the past. In the process, their persistent, probing scrutiny renders visible a Middle Ages previously lost from view.” —Common Knowledge
“[Bound Fast with Letters] a useful and frequently humbling compendium of what one particular approach to manuscript study can reveal as it is exercised over many years and on a broad spectrum of materials. . . The many discoveries about the Middle Ages laid out in Bound Fast with Letters—discoveries made through extraordinarily skilled research and explained with erudite lucidity—demonstrate the value of Richard and Mary Rouse’s approach to the study of the past.” —Modern Philology
“Over four decades the Rouses’ prolific work on medieval manuscripts has continuously advanced knowledge in this field by providing convincing answers to and unique examples of the way books were conceived, constructed, copied, illuminated, commissioned, sold, and used. . . . The result is a breathtaking stretch of work ranging from writing practices in fifth-century Northern Africa to fifteenth-century commercial book-making in France and Italy.” —Manuscripta
