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Artifacts and Illuminations

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Artifacts and Illuminations: Critical Essays on Loren Eiseley

Edited by Tom Lynch, and Susan Naramore Maher

Published by: Nebraska Paperback

Imprint: University of Nebraska Press

Sales Date: 2012-04-01

Paperback

CA$54.95

Published: April 2012

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Imprint: University of Nebraska Press

Page Count: 364 Pages

Dimensions: 152.00 x 228.00

364 Pages, 152.00 x 228.00 x 0.87 in

Paperback

CA$54.95

ISBN: 9780803234031

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Description
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Contents
Reviews

Loren Eiseley (1907–77) is one of the most important American nature writers of the twentieth century and an admired practitioner of creative nonfiction. A native of Lincoln, Nebraska, Eiseley was a professor of anthropology and a prolific writer and poet who worked to bring an understanding of science to the general public, incorporating religion, philosophy, and science into his explorations of the human mind and the passage of time.

As a writer who bridged the sciences and the humanities, Eiseley is a challenge for scholars locked into rigid disciplinary boundaries. Artifacts and Illuminations, the first full-length collection of critical essays on the writing of Eiseley, situates his work in the genres of creative nonfiction and nature writing. The contributing scholars apply a variety of critical approaches, including ecocriticism and place-oriented studies ranging across prairie, urban, and international contexts. Contributors explore such diverse topics as Eiseley’s use of anthropomorphism and Jungian concepts and examine how his work was informed by synecdoche. Long overdue, this collection demonstrates Eiseley’s continuing relevance as both a skilled literary craftsman and a profound thinker about the human place in the natural world.

Tom Lynch is an associate professor of English at the University of Nebraska–Lincoln. He is the author of Xerophilia: Ecocritical Explorations in Southwestern Literature. Susan N. Maher is the dean of the College of Liberal Arts at the University of Minnesota, Duluth. She is coeditor of John McPhee and the Art of Literary Nonfiction.

Acknowledgments

Introduction

Tom Lynch and Susan N. Maher

1. "The Bay of Broken Things": The Experience of Loss in the Work of Loren Eiseley

Susan Hanson

2. "Never Going to Cease My Wandering": Loren Eiseley and the American Hobo

M. Catherine Downs

3. "The Places Below": Mapping the Invisible Universe in Loren Eiseley's Plains Essays

Susan N. Maher

4. Unearthing Urban Nature: Loren Eiseley's Explorations of City and Suburb

Michael A. Bryson

5. Anthropomorphizing the Essay: Loren Eiseley's Representations of Animals

Kathleen Boardman

6. "The Borders between Us": Loren Eiseley's Ecopoetics

Tom Lynch

7. Lessons of an Interdisciplinary Life: Loren Eiseley's Rhetoric of Profundity in Popular Science Writing and "Two Cultures" Pedagogy

Pamela Gossin

8. Artifact and Idea: Loren Eiseley's Poetic Undermining of C. P. Snow

Mary Ellen Pitts

9. The Spirit of Synecdoche: Order and Chaos Contend in the Metaphors of Loren Eiseley

Jacqueline Cason

10. In a Dark Wood: Dante, Eiseley, and the Ecology of Redemption

Anthony Lioi

11. Emerson and Eiseley: Two Religious Visions

Jonathan Weidenbaum

12. Epic Narratives of Evolution: John Burroughs and Loren Eiseley

Stephen Mercier

13. Eiseley and Jung: Structuralism's Invisible Pyramid

John Nizalowski

14. From the American Great Plains to the Steppes of Russia: Loren Eiseley Transplanted

Dimitri N. Breschinsky

Works Cited

Contributors

Index

"Past and future readings of Eiseley have been illuminated by this profound and expansive collection of essays. Anyone with a fondness for Eiseley or the journey of the American nature writing tradition will find Artifacts and Illuminations of immense interest."—Frank Izaguirre, Ecozon@

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Artifacts and Illuminations: Critical Essays on Loren Eiseley

Artifacts and Illuminations: Critical Essays on Loren Eiseley

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