Women's War Stories: The Lebanese Civil War, Women's Labor, and the Creative Arts

Women’s War Stories is destined to become a required textbook in history; Middle East, war, and gender studies; and postcolonial and cultural studies. Arab Studies Quarterly

Every essay attests to women’s creative and practical initiatives during a reign of terror and brings the reader to Lebanon’s vibrant contemporary art scene. Al Jadid

This powerful collection of essays centers the lived experiences of women trapped in the vise of violence and war. Their narratives remind us of the power of art and remembering in healing wounds from the past. Such stories, rendered gracefully here, allow us to imagine a better future. The editors and contributors have done a masterful job of restoring the voices of those ignored, excluded, and erased, to give us a deeper understanding of a time that many would simply like to forget. But in forgetting, they risk the peril of repeating. Beth Baron, City University of New York

Some 30 years after the Civil War, women laborers, domestic workers, rappers, graffiti artists, film-makers and others, have boldly contributed to the herstory of unfolding Lebanon. Hartman and Abisaab have anticipated the importance of these vital narratives, buried for decades, and have created a compelling book that not only uncovers the truths about Lebanon’s past but sheds light on the Lebanon of today. Elise Salem, Lebanese American University

A masterfully curated collection of displaced cultural and social histories of women's labor, experiences and imagination in Lebanon. Women’s War Stories demonstrates the history of the Lebanese civil war must center on gender. Stephen Sheehi, author of Camera Palaestina: Photography and Displaced Histories of Palestine

This book provides a fresh and largely unique perspective of how the 'civil war' between 1975 and 1990 impacted several women artists and activists. Malek Khouri, The American University in Cairo

Women’s War Stories offers unheard and sometimes private stories of those who have experienced the Lebanese civil war. The feminist angle is important not only for the focus on women’s lives but as a framework of analysis that underscores the ethical/epistemological limits as well as the possibilities borne out of story-making. Dina Georgis, University of Toronto