DOWNVERSE

“humorous and sharply critical. Reimer immerses her writing within the conditions of millennials – a generation of supposedly disappointed and disenfranchised persons faced with social, economic, and political uncertainty. Employing tactics of erasure, collage, and unconventional typography, DOWNVERSE intervenes into and reconfigures the linguistic materials of new media to work through these issues in a way that is reflective of the disjunctive information age, but also critical of the conditions that come with it. … Both a lament and an expression of frustration, DOWNVERSE perfectly captures the cynicism of a generation, but also represents a desire to find a pathway out of these mired conditions. ”
– Canadian Literature

“… if Downverse succeeds where other works in a similar mien do not, it is because Reimer articulates a counter-grammar to its own cliché-laden registers. What Reimer ultimately delivers is a poetics of conjunction itself, a poetics in which even disjunction is a form of joining. Downverse is the reliquary appropriate to this alchemy of joining, and the multifarious, obstinate objects you will find within it become ever more fascinating as you turn them over in your hands.”
– Ethos Review

“The poems in DOWNVERSE are centered in rage, boredom, grief, confusion and despair. Reimer displays a mistrust in the poem, while concurrently stretching the scope of what just might be possible.”
– The Small Press Book Review

“Nikki Reimer’s DOWNVERSE registers the commotion of noise when it’s pronounced choice in the heated work of poetic composition. Right there, at the edge of the word, the phrase, the pronoun, the vortex of the sudden twists in the urgency of procedure. Her poetry has more to do with being there than getting there; each moment in the language opts for the next now. The advantage of total assault in this performance is understanding by immersion. Placed, justifiably, in the pantheon of recent city poems, the section ‘vancouverlament’ opens with ‘haute action material,’ a title that also accurately underscores this collection of writing as hot!”
– Fred Wah