Acknowledgments – Part One: Between the Reels – Severed Bridge: The Art of the Sons’ Generation – A Scene in the Fog: Reading the Sixth Generation Films – Subject Structure and Modes of Viewing: Films by the Fourth Generation Directors at the Turn of the 1970s and 1980s – Part Two: Ashes of Time – The Roar of Silence: Under the Facade of Urbanness: Chinese Cinema of the 1980s and 1990s – Encountering "The Other": Notes on the Theory of "Third World Literature" – Rift Valley: Glory and Downthrows in the Post-1989 Art Cinema – Ermo: A Modern-Day Allegory Created by a Fifth Generation Director – The Piano in a Factory: Class, or in the Name of the Father – Part Three: Half the Sky – Gender and Narration: Women in Contemporary Chinese Film – "Human, Woman, Demon": A Woman’s Predicament – Hou Hsiao-Hsien’s Films: Pursuing and Escaping History – Appendix: The Isle of Yesterday—Film, Scholarship, and Me – Index.