The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo

An indispensable look at one site of African Christianity before the advance of colonialism.--Christianity Today

A valuable reference work for anyone interested in religious, Christian, and precolonial African art and material culture.--Catholic Historical Review

Meticulously researched, beautifully written, and lavishly illustrated, The Art of Conversion is one of the best books ever published about Central African religious history.--Journal of Interdisciplinary History

Fromont's study is a model of careful scholarship wedded to a well-crafted argument....This book is very likely to remain the starting point for any study of Kongo Christian art, and an important contribution to the understanding of its Christian history.--Social Sciences and Missions

An impressive, ground-breaking work.--ARLIS/NA Reviews

A monumental contribution to scholarship on Kongo Christianity as well as cultural change in the Atlantic world more broadly. She challenges historians to think more deeply about the way in which history can defy easy categorization as continuity or change. . . . Her beautiful prose and evocative use of language powerfully re-create the multisensory rituals of Kongo Christianity. Perhaps most important, Fromont reminds us that Africans were always active participants in their history, the legacy of which resonates across the Atlantic world today.--William and Mary Quarterly

Provides relevant information to the conversion of the Kongo Kingdom to Christianity by providing numerous visual sources to support her argument. . . . Provides previously untapped sources to bring forward a new theory on the conversion of the Kongo and the changes associated with the kingdom's new religion.--Journal of the North Carolina Association of Historians

Beautifully produced and accessibly priced edition will reward the attentions of lay connoisseurs as well as of scholars in all the academic disciplines engaging Africa's past.--African Studies Review

A detailed account of how the visual arts were instrumental in [the Kingdom of Kongo.]--Burlington Magazine