"Offering a rare look at the everyday lives of the people who live in and around Congolese timber labor camps, Thomas Hendriks draws out the continuities and discontinuities of racialized colonial extraction. Artfully written, Rainforest Capitalism will make a major contribution to theories of capitalism, race, and sexuality."
Jessica M. Smith, author of, Mining Coal and Undermining Gender: Rhythms of Work and Family in the American West
"In this fresh and captivating book, Thomas Hendriks offers precious insights into the precarity of logging in the Congolese rainforest. His lively ethnography demonstrates that the analysis of neoliberal capitalist extraction should address not only labor and political economy but also memory, affect, sexual desire, and racial fetishism. His sophisticated theoretical framework allows him to capture the fleeting character of logging and brings together forestry, anthropology, and queer studies in visionary ways that will inspire many scholars."
Peter Geschiere, author of, Witchcraft, Intimacy, and Trust: Africa in Comparison
"Based on a lengthy period of ethnographic research, this book is a lively, readable account of life in a logging camp, and the author makes a useful, thought-provoking contribution to the literature on power, capitalism, gender, sexuality, and race/racism in anthropology, African studies, and related fields. . . . Highly recommended. Advanced undergraduates through faculty."
E. E. Stiles, Choice
"Thomas Hendriks' compelling book is an intricate tale of felled trees and their capitalist value, of the inhabitants of logging camps such as Congolese labourers and expat managers, but also of jobseekers, traders, prostitutes, farmers, and smugglers. Rainforest Capitalism is eloquent and captivating."
Rachel Spronk, African Studies Review
"A striking and thought-provoking ethnography. . . . I have deeply enjoyed Hendriks' ethnographic work, evocative writing and post-critical approach to the study of capitalism focused on the unpredictable and fragile sides of power. . . ."
Alice Vittoria, Anthropos
