Contributors
Acknowledgements
Dean Irvine, Vanessa Lent, and Bart Vautour
Introduction
1. Libraries, Archives, Databases, Edition
Sean Latham
Unpacking My Digital Library: Programs, Modernisms, Magazines
Marc André Fortin
Archival Problems, Future Possibilities: Reconceptualizing the Digital Database in Canada
Melissa Dalgleish
Editing Modules, Collecting Editions: The Present and Future of Small-Scale Digital Critical Editions
Sophie Marcotte
New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts
J.A. Weingarten
Reading the Personal Library, Rereading F.R. Scott
2. Collaborations
Tanya E. Clement
BaronessElsa: An Autobiographical Manifesto
Paul Hjartarson, Harvey Quamen, Kristin Fast, and EMiC UA
Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ⇔ Digital Projects
Patrick A. McCarthy and Chris Ackerley
Annotating Malcolm Lowry’s In Ballast to the White Sea
Michael John DiSanto
Editing a Legend: George Whalley
Andrea Hasenbank and EMiC UA
Canadian Manifestos: Between Poetics and Polemics
3. Selective Traditions and Alternative Modernisms
Peter Webb
Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial Practice
Gregory Betts
When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and Canada’s Archived Avant Garde
Kailin Wright
Bringing the Text to Life: Editing The God of Gods
Tony Tremblay
Landscapes of Reception: Historicizing the Travails of the New Brunswick Literary Modernists
Colin Hill
Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s
Works Cited
