Rugs, Guitars, and Fiddling: Intensification and the Rich Modern Lives of Traditional Arts

There are multiple ethnological studies of traditional art culture included and all are interesting, but readers who solely want to learn about one or more of the artistic genres studied could still find value in only reading the chapter that pertains to their specific area of interest. This diversity of subjects nicely broadens the appeal of the book, and readers who are solely interested in one of the art forms will undoubtedly be interested should they choose to read the chapters on others. This well-illustrated book would be appropriate for academic libraries and public libraries, but some younger readers interested in the arts on which Goertzen focuses would find the book intriguing, too. Chris Durman, Music Reference Services Quarterly

Chris Goertzen is a master storyteller whose affection for folk arts shines through each page of this book. David G. Hebert, coeditor of Theory and Method in Historical Ethnomusicology

Although folklorists regularly study oral, musical, customary, or material traditions practiced within cultural communities, they infrequently examine all of at once; and when they do, their efforts seldom achieve the level of historical, ethnographic, and theoretical depth and sophistication evident in Goertzen?s work. Those compelled by the tensions between locally grounded artistic traditions and global cultural changes will welcome Goertzen?s evidence and insights, as will aficionados of the rug-weaving, guitar-making, and contest-fiddling traditions explored through illuminating images and prose. James P. Leary, author of Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946