Introduction
Nayibe Bermúdez Barrios
Part I: Crisis of the Nation-State and Desire for Community
National Belongings in Juan José Campanella’s Luna de Avellaneda
Rebecca L. Lee
From National Allegory to Autobiography: Un-Pleasure and other Family Pathologies in Two Films by Lucrecia Martel
Paola Arboleda Ríos
Bodily Representations: Disease and Rape in Francisco Lomabrdi’s Ojos que no ven
Elizabeth Montes Garcés and Myriam Osorio
Films by Day and Films by Night in São Paulo
David W. Foster
Part II: Sexuality, Rape and Representation
Bodies so Close, and Yet So Far: Seeing Julián Hernández’ El cielo dividido through Gilles Deleuze’s Film Theory
Gerard Dapena
Myth and the Monster of Intersex: Narrative Strategies of Otherness in Lucía Puenzo’s XXY
Charlotte E. Gleghorn
Watching Rape in Sexual Cinema
Isabel Arredondo
Part III: Visions of the Transnational
A Shamanic Transmodernity: Juan Mora Catlett’s Eréndira Ikikunari
Keith John Richards
We Are Equal: Women and Video in Zapatista Chipas
Elissa J. Rashkin
Sexplotation, Space, and Lesbian Representation in Armando Bo’s Fuego
Nayibe Bermúdez Barrios
At the Transnational Crossroads: Colombian Cinema and Its Search for a Film Industry
Juana Suárez
Contributors
Index