Alimentary Orientalism: Britain's Literary Imagination and the Edible East

"A bold and powerfully generative take on the literary shockwaves produced by the massive influx-at once unsettling and inspiring-of Eastern products in eighteenth- and nineteenth-century Britain. By centering eating and drinking as the paradigmatic forms of exotic consumption, Yin Yuan surfaces previously unrecognized currents of ironic self-reflexivity with respect to bodily and cultural boundaries set in motion by the period's insatiable appetites for the Orient. Rarely has such a theoretically astute treatment of the cultural politics of eating made for such devilishly delicious fare." David Porter, author of The Chinese Taste in Eighteenth-Century England

"Eating, drinking, smoking-the bodies in nineteenth-century British writing took in Chinese influence both cavalierly and copiously. Yin Yuan's book helps us understand this consumption by explaining, with erudition and grace, how such exotic ingestants navigated Britain's symbolic and material Oriental encounters on their way to the heart of the empire." Elizabeth Hope Chang, author of Britain’s Chinese Eye: Literature, Empire, and Aesthetics in Nineteenth-Century Britain

"Bracingly original, Alimentary Orientalism moves beyond predictable 'self/other' binaries to delineate new complexities in British 'Orientalist' literary discourse. Focusing on such 'psychoactive groceries' as tea and opium, Yuan details how various texts represent the literal incorporation of otherness, even as they self-critically investigate the nature of Orientalist representation itself." Alan Richardson, author of The Neural Sublime: Cognitive Theories and Romantic Texts

"Focusing on early British Orientalism as a distinctly literary effort to negotiate the new material realities of imperial commerce, Alimentary Orientalism locates in eighteenth- and nineteenth-century writing about exotic comestibles an emergent form of semiotic theory. Imperial self-making, it shows, not only rehearsed mythologies of encounter, but did so as a way of orienting British selfhood in the liminal space where sign meets substance-the space where empire unfolds." Eugenia Zuroski Jenkins, author of A Taste for China: English Subjectivity and the Prehistory of Orientalism