A Good Name

While never losing sight of her characters' radiant humanity, Kilanko writes about the consequential weight of cultural expectations with a beauty and insight that is both profound and universal.

Lauren B. Davis, author of The Grimoire of Kensington Market, The Empty Room, and Our Daily Bread

With a steady and skillful hand, Yejide Kilanko has built an achingly human narrative that interrogates the ways men and women are bound by tradition, culture, family, and each other. Much like Buchi Emecheta's classic The Joys of Motherhood, Kilanko offers an unsparing depiction of disappointments, large and small, and the very human choices that compound or alleviate them. At each turn, Kilanko invites us to ask ourselves how we might respond in similar circumstances. Much like Tayari Jones' much-lauded Silver Sparrow and An American Marriage, the characters and their conundrums haunt you when the story ends. You leave unsettled by the injustice of unfairness, deeply wishing the characters had chosen another way.

Nana Ekua Brew-Hammond, author of Powder Necklace.