Representations of German Identity

Deborah Ascher Barnstone/Thomas O. Haakenson: Introduction: Why Visual Culture Matters – Gabriella Szalay: A Painting Fit for a Nation: The Dombild and its Legacy in Nineteenth-Century Germany – Samuel Adams: Blasting Wagner out of the Continuum of History: Deutschtum Transposed in the Los Angeles Ring – Robert C. Kunath: German Art and the Spirit of 1914: Identity, Modernism, and the Case of Ludwig Dettmann – Thomas O. Haakenson: The Architectonics of Public Science: German Identity and the Berlin Museum of Pathology – Kevin S. Amidon: Intersexes and Mixed Races: Visuality, Narrative, and «Bastard» Identity in Early Twentieth-Century Germany – Deborah Ascher Barnstone: The 1929 Breslau Werkbund Exhibition: Constructing German Identity in Architecture and Urban Design – Elizabeth Cronin: The Problem of German Identity in 1930s Austria and the Influence of Austrian Heimat Photography – Wendy Westphal: Good Bye, DDR!: Where East German Material Culture Meets Film – Mareike Herrmann: Imagined Homes: Negotiating German Identity in the Eastern Provinces in Thomas Arslan’s Ferien and Dominik Graf’s Komm mir nicht nach – Erin Hanas: Raus mit der Sprache. Rein ins Leben: The Exposed Tongue – Christina Schmid: Pathetic Parodies: German National Identity in Bjørn Melhus’ Weit Weit Weg.