Dan K. Woo's family came to Canada in the 1970s. His grandfather was a fire captain and the first firefighter to die on duty in British Hong Kong, partly a result of the British colonial system. In 2018, Woo won the Ken Klonsky Award for Learning How to Love China (Quattro Books). His writing has appeared in such publications as the South China Morning Post, Quill & Quire and China Daily USA. A Toronto native, he lives with his partner in the city and writes in his free time.
Bingji Ye came to Canada from Northern China. With majors in international business and economics, she graduated from Hebei University of Economics and Business and the University of Alberta. A poet, novelist and educator, Bingji wrote poems and stories for Chinese language media in Canada. Her first novel, The Trap of Yves Saint Laurent Scent, was published by one of China’s biggest publishers in 2006. The novel is about romance, conspiracy and commercial war. She has lived in Edmonton, Regina, Ottawa
and the Greater Toronto Area with her family.
Ellen Chang-Richardson is an award-winning poet of Taiwanese and Chinese Cambodian descent whose multi-genre writing has appeared in Augur, The Fiddlehead, Grain, Plenitude, Watch Your Head: Writers and Artists Respond to the Climate Crisis, The Spirits Have Nothing to Do with Us: New Chinese Canadian Fiction and others. The co-founder of Riverbed Reading Series, they are a member of Room’s editorial collective, long con magazine’s editorial board and the creative poetry collective VII. They are represented by Tasneem Motala at the Rights Factory and currently live on the traditional unceded territory of the Algonquin Nation (Ottawa, Canada).
Isabella Wang is the author of the chapbook On Forgetting a Language (Baseline Press, 2019), and her full-length debut, Pebble Swing (Nightwood Editions, 2021), shortlisted for the Dorothy Livesay Poetry Prize. Among other recognitions, she has been shortlisted for Arc’s Poem of the Year contest, The Malahat Review’s Far Horizons Award and Long Poem Contest and was the youngest writer to be shortlisted twice for The New Quarterly’s Edna Staebler Essay Contest. Her poetry and prose have appeared in over thirty literary journals and three anthologies. An editor at Room magazine, she also works for poetry in canada and Massy Books, and directs her own non-profit mentorship and consulting business, 4827 Revise Revision St. (iBella Inc.).
Eddy Boudel Tanwrites stories that depict a world much like our own – the heroes are flawed, truth is distorted and there is as much hope as there is heartbreak. He’s the author of two novels: After Elias, a finalist for the ReLit Awards and the Edmund White Award for Debut Fiction, and The Rebellious Tide (Dundurn Press). In 2021, he was named a Rising Star by Writers’ Trust of Canada. His short stories can be found in Joyland, Yolk, Gertrude Press and The G&LR, as well as in Queer Little Nightmares: An Anthology of Monstrous Fiction and Poetry (Arsenal Pulp Press). He lives in Vancouver with his husband where he is currently writing his next novel while listening to the language of birds from his balcony.
Yilin Wang (she/they) is a writer, poet and Chinese-English translator who lives on the unceded lands of the Musqueam, Squalism and Tsleil-Waututh nations (Vancouver, BC). Her writing and translations have appeared or are forthcoming in Clarkesworld, Fantasy Magazine, POETRY, Guernica, Words Without Borders, Malahat Review, Room, CV2 and elsewhere. She is the editor and translator of The Lantern and the Night Moths, forthcoming with Invisible Publishing 2024, which features her translations by five modern and contemporary Chinese poets. Yilin has won the Foster Poetry Prize, received an ALTA Virtual Travel Fellowship and been a two-time finalist for the Far Horizons Award for Short Fiction. She has an MFA in Creative Writing from UBC and is a graduate of the 2021 Clarion West Writers Workshop.
Sam Cheuk is a Hong Kong-born Canadian author of Love Figures, Deus et Machina and Postscripts from a City Burning. He is currently working on Marginalia, which examines the function, execution and generative potential behind censorship.
Anna Ling Kaye is a writer and columnist. She has served as artistic editor at PRISM international and Ricepaper magazines, and guest editor at The New Quarterly. Kaye’s fiction has been finalist for the Journey Prize, CBC Short Story Prize and PEN Canada New Voices Award, and won the RBC Bronwen Wallace Award. A third-culture kid of mixed-heritage, Kaye is grateful to live in Vancouver on the traditional and unceded homelands of the Musqueam, Squamish and Tsleil-Waututh Nations.
SHEUNG-KING is a writer and educator originally from Hong Kong. His work has appeared in PRISM International, The Shanghai Literary Review, and The Humber Literary Review, among others. His debut book, You Are Eating an Orange. You Are Naked., was a finalist for the Governor General's Literary Award for Fiction, the Amazon Canada First Novel Award, and was longlisted for CBC Canada Reads. He currently lives in China.
Lydia Kwa is the author of the novels Oracle Bone,This Place Called Absence (shortlisted for the Books in Canada First Novel Award), The Walking Boy (shortlisted for the Ethel Wilson Fiction Prize), and Pulse, as well as two books of poetry, The Colours of Heroines and sinuous. A new updated edition of The Walking Boy was published in 2019. She lives and works in Vancouver as a writer and psychologist.