Edited by Kathleen Ann Clark, and Ann Short Chirhart
Contributions by Carlos Dews, Glenn T. Eskew, Steve Goodson, Sarah Gordon, Paul Stephen Hudson, John C. Inscoe, Rosemary M. Magee, Robin M. Morris, Kathryn Nasstrom, Randall L. Patton, Deborah G. Plant, Mary Rolinson, Betty Alice Fowler, Scott Kaufman, Leslie Dunlap, Ann Short Chirhart, Elizabeth Gillespie McRae, and Kathleen Ann Clark
Price:
CA$47.95
ISBN: 9780820337852
Pub Date: July 2014
Imprint: University of Georgia Press
The essays in the second volume of Georgia Women portray a wide array of Georgia women who played an important role in the state’s history, from little-known Progressive Era activists to famous present-day figures such as Pulitzer Prize–winning author Alice Walker and former First Lady Rosalynn Carter.
Filled with contemporary and historical photos, this guide introduces O’Connor’s readers to the places where the great writer lived and worked—places whose features and details sometimes found their way into her fiction.
Contributions by Patricia Boulter, Jean-Sébastien Boutet, Emilie Cameron, Sarah Gordon, Heather Green, Jane Hammond, Joella Hogan, Arn Keeling, Tyler Levitan, Hereward Longley, Scott Midgley, Kevin O’Reilly, Andrea Procter, John Sandlos, and Alexandra Winton
Price:
CA$39.95
ISBN: 9781552388044
Pub Date: November 2015
Imprint: University of Calgary Press
This collection examines historical and contemporary social, economic, and environmental impacts of mining on Aboriginal communities in northern Canada. Combining oral history research with intensive archival study, this work juxtaposes the perspectives of government and industry with the perspectives of local communities.
Culinary Comedy in Medieval French Literature focuses on the intersection of food and humor across several medieval narrative genres. This book is a part of the Purdue Studies in Romance Literature...
Drawing from thirty years of reading, teaching, and discussing one of our most complex and influential authors, Gordon explores the tension in O'Connor's writing which stems from the natural resistance of her imagination to the obedience expected by her male-centered church, society, and literary background.
